PDF-Bücher , by Fjodor Michailowitsch Dostojewski
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, by Fjodor Michailowitsch Dostojewski
PDF-Bücher , by Fjodor Michailowitsch Dostojewski
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Produktinformation
Format: Kindle Ausgabe
Dateigröße: 422 KB
Seitenzahl der Print-Ausgabe: 103 Seiten
ISBN-Quelle für Seitenzahl: 154314974X
Verlag: Sheba Blake Publishing (1. September 2018)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B07711SRRL
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Durchschnittliche Kundenbewertung:
4.0 von 5 Sternen
25 Kundenrezensionen
Amazon Bestseller-Rang:
#1.292.171 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
Dostoyevsky is great. I've read 'Brothers Karamazov' with no problems, but I would really like to know who generated the translation for this one. It seems as though it was put through Google Translator, then printed/distributed by Amazon. Many sentences do not flow, and the punctuation is off in places. This printing is particular laborious to read. :/
The key words to describe the protagonist: spite, self-loathing and self-consciousness. And maybe passive-aggressive personality disorder. The book shows the author is a literary genius and proficient in self-analysis. He is quite funny, too! Dostoevsky applies psychological insight, transforms it in a narrative structure and thus, leads the main character to disclose his deep rooted unhappiness with the state of affairs. He does so by revealing his thought process with which he desperately, so desperately tries to make sense of reality... a reality that works like a mirror to reflect his own character traits: pride and anxiety and insecurity.Then again... it's not so much a personal thing as the account of the underground man is supposed to somehow represent the Russians' social and cultural climate (socialist - disappointment - liberal - and eventually nihilist) in the 1840s/1860s. At least that is what I make of the 'Author's note' at the beginning of the book when it says that there must be men like this in a society like that if one remembers how the society has been formed and 'developed'.Some notes on the underground man: He lives in some kind of an isolated shell split from the rest of humanity and he only comes out every now and then for 'real-life' as he calls it. This excites him and confuses him and very often infuriates him like hell. All that he carries with him he sees in others and hates in others... feverishly investigating it with overwrought brain activity. He has contempt for others and thinks everybody looks down on him. He tells himself how stupid they all are and then can't stop himself flogging himself mentally. Oh, how bitterly he suffers.. 'I was angry with myself,' he says 'but, of course, it was she who would have to pay for it.'
It is somewhat ironic that usually the people who pick up thislittle book are going through a personal crisis. This is probably thelast thing they need. This is not a cheer-up book, although they may find some commiseration in the narrator's life.Who is this narrator? Like the protagonist of Dostoyevksy's -The Idiot-, he is someone who believes himself to be superior to "the great mass," but who is so superior that he must live "underground" (much like living as an "idiot"). He is something of a voluntary outcast, who nevertheless manages little personal moments of stickin' it to the man... perhaps the funniest subplot is how he plays "chicken" with important people who are walking down the sidewalk...A Russian literary critic is rumored to have said "Dostoyevsky is the nastiest Christian I've ever met." And indeed, you would be mistaken if you expected something overly life-affirming, even in an existentialist way, in this book. It is life-affirming only in a fatalistic Russian sense, of "No matter how bad it gets, we can always laugh about it." Even the one scene that is set up as a messianic, optimistic scene, turns into something ugly and spiteful.Still, this novel is interesting and brilliant, and a great introduction to Dostoyevsky's psychological studies and his anti-rationalist, anti-Enlightenment crusade. If nothing else, it shows Dostoyevsky before he wrote he had written his major novels, and before he had been sent to Siberia (an experience that made him significantly temper his anti-establishment views).
Dostoyesky's anti-hero is the the first of a long line of existential anti-heroes that followed later in the 20th century. Clearly, here is a man who is alienated from his bretheran. He has burrowed so deep internally that he can not connect with outsiders. He is trapped by his superior intellect and his heightened consciousness showers him with agony. He has no clue how to relate to men and women of any social status. He is alone. He foreshadows the players in the dramas of Samuel Beckett and Sartre. He is Nietszche and Kierkegaard in the ways in which they experienced their lives. He is The Stranger of Camus. He anticipates the 20th century anti-hero of Nabokov in Lolita and protagonists like Billy Pilgrim in Slaughterhouse Five by Kurt Vonnegut. Honest, brilliant, alienated, articulate and alone. He finds it impossible to channel his intellect into positive action: he lives in a state of paralysis. Most of all, the anti-hero is Dostoyesky, the author, penning immortal lines of literature from debtors prison. To understand clearly the influence of existentialism in 20th century literature, one must first understand this germinal literary classic.
This stunning account of a young man in Russia who daily - even hourly - celebrates his misanthropy is a tour de force in our literature. We don't meet a slime-bag this putrid till we meet the hero of Henry Miller's "Tropic of Cancer" many years later. We get used to watching this anti-hero sink ever lower: Just when we think he has hit rock-bottom in manners and charity, he performs a deed or says a word that can only sink him lower in our estimation. As he comments on his story, we understand he is attempting to fight hypocrisy, but he perverts every attempt by filling it with self-loathing so that the fight against hypocrisy gets swallowed up in his self-destruction. Fun stuff? Hardly. But it is breathtaking to behold.
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